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Nathan Lynch
www.nathanlynch.com
nlynch@cca.edu
Education
Mills College: Master of Fine Art, Studio Art
University of Southern California: Bachelor of Fine Art; Magna Cum Laude
Solo Exhibitions
2010 Respect Yourself, Curiosity Shoppe, San Francisco, CA
2007 Everything’s Going South, Johansson Projects, Oakland, CA
Between Courses, Southern Exposure, San Francisco, CA
2005 Highball or Hail Call, Jackson Street Gallery, San Francisco, CA
The Sweetspot, Museum of Contemporary Art, Santa Rosa, CA
Together and Alone, Santa Ana College, Santa Ana, CA
2004 UNDERCOVER, Richmond Art Center, Richmond, CA
2002 Room for the Longest Word, Olive Hyde Gallery, Fremont, CA
Selected Group Exhibitions
2011 Human Nature, Headlands Center for the Arts, Sausalito, CA
2010 Presidio Habitats, Park Presidio, San Francisco, CA
Shadowshop by Stephanie Syjuco, San Francisco Museum of Modern Art,
San Francisco, CA
2009 Contemporary Sculpture, Western Colorado Center for the Arts, Grand Junction, CO
2008 Dead Spaces, Overhung 4, Lobot Gallery, Oakland, CA
Hopeless and Otherwise, Southern Exposure, San Francisco, CA
2004 Election 2004: The State of the Union, Sante Fe Clay, Santa Fe, NM
The Hunt: Ritual and Narrative, Sun Valley Center for the Arts, Sun Valley, ID
Untethered, Southern Exposure, San Francisco, CA
New Work: Faculty 2004, California College of the Arts, Oakland, CA
Close Calls, Headlands Center for the Arts, San Francisco, CA
2003 Petting Zoo, Art Basel, Miami, FL
Unnatural Materials, Kansas City Art Institute, K.C. MO
For Example, Michael Martin Gallery, San Francisco, CA
Fashion is Art, Bumpershoot, Seattle, WA
New Work: Faculty 2003, California College of the Arts, Oakland, CA
Terra Forma, Arts Benicia; Benicia, CA
2002 Add, Drop, Add, California College of Arts and Crafts, Oakland, CA
2001 Visual Lexicon, El Camino College Art Gallery, Torrance, CA
2001 Abominable, Vagabond Gallery, Palmer, AK
1999 M.F.A. Thesis Exhibition; Mills College Art Museum, Oakland, CA
1998 Bay Area Sculpture Biennial; Contract Design Center, San Francisco, CA
1998 Sculpture Pro-Am, Palos Verdes Art Center, Palos Verdes, CA
1996 The Lite Light Show, Lime Gallery, California Institute of the Arts, Valencia, CA
Performances
2009 40 Minutes, 16 stories, Project Artaud, San Francisco, CA
2007 Between Courses: Pie Delivery; Southern Exposure, S. F., CA
2003 The Lowtones: Chamber Music; Lincoln Center, New York, NY
Where is Your Wheel? Fringe Festival, Edinburgh, Scotland
Airpocket: ON THE RUNWAY, Bumpershoot, Seattle, WA
The Fountain Etudes, Taplin Concert Hall, Princeton University, Princeton, NJ
2002 Airpocket: THREE HOLE PUNCH, Headlands Center for the Arts, S.F. CA
Airpocket; VOW, Windhover Center for Performing Arts, Gloucester, MA
Gutterball, Headlands Center for the Arts, S.F. CA
00-07 Where is Your Wheel?; Vermont, New Hampshire, N.Y.C., San Francisco...
2001 Aerovox: Chamber Music, with Dylan Bolles; Exploratorium, San Francisco, CA
1999 Air Pocket; with Dylan Bolles, Venue 9, San Francisco, CA
Bibliography
SPARK, KQED Public Television, July 2, 2003
Baker, Kenneth. "Sculptor Lynch's 'Where is Your Wheel?'" San Francisco Chronicle, B10, May 12, 2001.
Baker, Kenneth, “More ‘Close Calls’ at Headlands,” San Francisco Chronicle, D1, Jan.20, 2004.
Bauer, Ian. “Big wheel keep on turnin’,” The Montclarion, pA1, A10, Feb. 23, 2001. (reproduction)
Berry, Colin. “SubAnatomy and Nathan Lynch at MOCA”, Vol. 36, #6, July/August 2005, p. 13.
Berry, Colin. “Untethered,” KQED radio, California Report,March 26, 2004.
Coffey, Ted. "Happy: A Roonerspism on Aesthetic Response” Princeton University, p. 12, March 1, 2001. (reproduction)
Koppman, Debra. “UNDERCOVER,” Artweek, p. 5, June 2004.
Lubin, Erin. “Just Looking,” Marin Independent Journal, C3, January 19, 2004.
Meade, Fio
nne. “Fashion is Heavy Accessories”, Fashion is Art (exhibition catalog), p. 20, 2003.
"Room For The Longest Word", The Fremont Bulletin, Feature, September 21, 2002.
"Room For The Longest Word", EastBay Express, Billboard Opener October 2, 2002.
Feature Friday, San Francisco Chronicle, Datebook, September 27, 2002.
Van Proyen, Mark. “’Close Calls’ at Headlands Center for the Arts,” Artweek, p. 14 April 2004.
Residencies
2011 Headlands Center for the Arts, Sausalito, CA
2010 Exploratorium, San Francisco, CA
2007 Tainan National University of the Arts, Taiwan
Southern Exposure, San Francisco, CA
01-03 Headlands Center for the Arts, Affiliate Artist
2002 Anderson Ranch Arts Center, Snowmass Village, CO
2000 Vermont Studio Center, Johnson, VT
Honors and Awards
2007 Faculty Development Grant, California College of the Arts
03-04 Headlands Center for the Arts, Curator, LiveArt: Music & Literature in Performance
2003 Faculty Development Grant, California College of the Arts
2003 Fellowship, Vermont Studio Center
1998 Trefethen Scholarship, Mills College
1997 Alumni Scholarship, Mills College |