Nathan Lynch
www.nathanlynch.com
nlynch@cca.edu

Education
            Mills College: Master of Fine Art, Studio Art
            University of Southern California: Bachelor of Fine Art; Magna Cum Laude

Solo Exhibitions
2010    Respect Yourself, Curiosity Shoppe, San Francisco, CA
2007    Everything’s Going South, Johansson Projects, Oakland, CA
            Between Courses, Southern Exposure, San Francisco, CA
2005    Highball or Hail Call, Jackson Street Gallery, San Francisco, CA
            The Sweetspot, Museum of Contemporary Art, Santa Rosa, CA
            Together and Alone, Santa Ana College, Santa Ana, CA
2004    UNDERCOVER, Richmond Art Center, Richmond, CA
2002    Room for the Longest Word, Olive Hyde Gallery, Fremont, CA

Selected Group Exhibitions

2011 Human Nature, Headlands Center for the Arts, Sausalito, CA
2010   Presidio Habitats, Park Presidio, San Francisco, CA
            Shadowshop by Stephanie Syjuco, San Francisco Museum of Modern Art,
            San Francisco, CA
2009   Contemporary Sculpture, Western Colorado Center for the Arts, Grand Junction, CO      
2008   Dead Spaces, Overhung 4, Lobot Gallery, Oakland, CA
            Hopeless and Otherwise, Southern Exposure, San Francisco, CA
2004   Election 2004: The State of the Union, Sante Fe Clay, Santa Fe, NM
            The Hunt: Ritual and Narrative, Sun Valley Center for the Arts, Sun Valley, ID
            Untethered, Southern Exposure, San Francisco, CA
            New Work: Faculty 2004, California College of the Arts, Oakland, CA
            Close Calls, Headlands Center for the Arts, San Francisco, CA
2003    Petting Zoo, Art Basel, Miami, FL
Unnatural Materials, Kansas City Art Institute, K.C. MO 
            For Example, Michael Martin Gallery, San Francisco, CA
            Fashion is Art, Bumpershoot, Seattle, WA
            New Work: Faculty 2003, California College of the Arts, Oakland, CA
            Terra Forma, Arts Benicia; Benicia, CA
2002    Add, Drop, Add, California College of Arts and Crafts, Oakland, CA
2001    Visual Lexicon, El Camino College Art Gallery, Torrance, CA
2001    Abominable, Vagabond Gallery, Palmer, AK
1999    M.F.A. Thesis Exhibition;  Mills College Art Museum, Oakland, CA
1998    Bay Area Sculpture Biennial;  Contract Design Center, San Francisco, CA
1998    Sculpture Pro-Am, Palos Verdes Art Center, Palos Verdes, CA
1996    The Lite Light Show, Lime Gallery, California Institute of the Arts, Valencia, CA
           
Performances
2009    40 Minutes, 16 stories, Project Artaud, San Francisco, CA
2007 Between Courses: Pie Delivery; Southern Exposure, S. F., CA
2003    The Lowtones: Chamber Music; Lincoln Center, New York, NY
            Where is Your Wheel? Fringe Festival, Edinburgh, Scotland
Airpocket: ON THE RUNWAY, Bumpershoot, Seattle, WA
The Fountain Etudes, Taplin Concert Hall, Princeton University, Princeton, NJ
2002    Airpocket:  THREE HOLE PUNCH, Headlands Center for the Arts, S.F. CA
            Airpocket; VOW, Windhover Center for Performing Arts, Gloucester, MA
Gutterball, Headlands Center for the Arts, S.F. CA
00-07   Where is Your Wheel?; Vermont, New Hampshire, N.Y.C., San Francisco...
2001    Aerovox: Chamber Music, with Dylan Bolles; Exploratorium, San Francisco, CA
1999    Air Pocket; with Dylan Bolles, Venue 9, San Francisco, CA

Bibliography
            SPARK, KQED Public Television, July 2, 2003
Baker, Kenneth.  "Sculptor Lynch's 'Where is Your Wheel?'"  San Francisco Chronicle, B10, May 12, 2001.
            Baker, Kenneth, “More ‘Close Calls’ at Headlands,” San Francisco Chronicle, D1, Jan.20, 2004.
Bauer, Ian.  “Big wheel keep on turnin’,”  The Montclarion, pA1, A10, Feb. 23, 2001. (reproduction)
Berry, Colin. “SubAnatomy and Nathan Lynch at MOCA”, Vol. 36, #6, July/August 2005, p. 13.
Berry, Colin. “Untethered,” KQED radio, California Report,March 26, 2004.
Coffey, Ted.  "Happy: A Roonerspism on Aesthetic Response” Princeton University, p. 12, March 1, 2001. (reproduction)
            Koppman, Debra. “UNDERCOVER,” Artweek, p. 5, June 2004.
Lubin, Erin. “Just Looking,” Marin Independent Journal, C3, January 19, 2004.
Meade, Fio


nne. “Fashion is Heavy Accessories”, Fashion is Art (exhibition catalog), p. 20, 2003.
"Room For The Longest Word", The Fremont Bulletin, Feature, September 21, 2002.
"Room For The Longest Word", EastBay Express, Billboard Opener October 2, 2002.
Feature Friday, San Francisco Chronicle, Datebook, September 27, 2002.
            Van Proyen, Mark. “’Close Calls’ at Headlands Center for the Arts,” Artweek, p. 14  April 2004.

Residencies
2011    Headlands Center for the Arts, Sausalito, CA
2010    Exploratorium, San Francisco, CA
2007    Tainan National University of the Arts, Taiwan
            Southern Exposure, San Francisco, CA
01-03   Headlands Center for the Arts, Affiliate Artist
2002    Anderson Ranch Arts Center, Snowmass Village, CO
2000    Vermont Studio Center, Johnson, VT

Honors and Awards
2007    Faculty Development Grant, California College of the Arts
03-04   Headlands Center for the Arts, Curator, LiveArt: Music & Literature in Performance
2003    Faculty Development Grant, California College of the Arts
2003    Fellowship, Vermont Studio Center
1998    Trefethen Scholarship, Mills College
1997    Alumni Scholarship, Mills College